https://blazetype.eu/typefaces/massilia

Massilia is a tribute to Marseille, echoing the softness and the balance of the sunny south of France. This font family is inspired by both Roger Excoffon’s famous work and the the city itself. Balancing between brush-like features and geometric endings. Massilia bring a perfect balance to the rhythmic of a text layout. While allowing one to be able to harvest the full strength of its glyphs’ anatomy when being displayed in larger sizes with the bolder versions of the typeface, it is surprisingly soft and delicate when used in lighter weights, smaller sizes, and long text layouts.

https://blazetype.eu/typefaces/arges

Arges was Inspired by the famous Cyclope who helped forge Zeus’ thunder weapon. Completely rethought and fully redesigned during 2018–2019, Arges became a super family of 11 weights+matching obliques & two styles (Normal/Condensed). Originally thought to be a heavy font-tool meant for display and headlines it was completely revamped into a typeface family containing several useful weights for various text sizes and layouts.

https://blazetype.eu/typefaces/osmose

Osmose is a neoclassical grotesk font rooted with geometric sans-serif features. The geometric inspiration is stated in the matching of the H-height and ascenders. Some details—such as the punctuation— were inspired by cursive old scriptures; it’s a nice way to break the monotony of long texts. By adding this layer made of smooth curves and perfectly round circles the effect can be even more detectable (and appreciable). Osmose's capitals’ width are thought in the same way: they are built in a wider shape; allowing even more ‘flavour’ to the quality of the reading process. The Osmose font comes in five styles, all based on the same side bearings which allows great flexibility, and yet, optical constancy when it comes to text layouts.

https://blazetype.eu/typefaces/inferi

Inferi takes its roots in Garalde print like fonts. With its defining features, like squared edges and print letterform it covers a large panel of uses. It has been designed in various styles and weights, allowing one to have an extensive type-tool for any kind of usage. Whether the need would be on book design, poster design or editorial uses, Inferi will be a nice fit to complex type-shaping. If your goal is to reach for a printed-type feeling on digital medium (websites, apps and such), you will find Inferi to be your tool of choice. A well balanced family with squared edges and round finishes in the roman version, the italics cut deep into a more modern approach. Drawn with a careful “hand style” touch. A nice balance for complex layouts as the print style form and the optical grey between roman and italics version will allow for great legibility.

https://ohnotype.co/fonts/fatface

https://www.fontfabric.com/fonts/gwen/

Gwen is a variable type system in 7 weights. The complete font family consists of two subfamilies: the highly characteristic Display Serif family which shows its full potential and beauty in big sizes and a more subtle Text variation appropriate for smaller sizes. The variable font combines the best of both worlds and provides unique flexibility to switch between all of the font weights and the text and display style at the same time. The font supports Extended Latin and Cyrillic scripts and its main purpose is to be used in editorials, although it may find good implications in headlines, impactful landing pages, posters, and packaging.

https://www.myfonts.com/collections/campeche-variable-font-latinotype

Campeche variable is an expressive yet functional typeface family. Seeking to express its beauty, it twists the conventions of classic typography when necessary. Campeche finds its inspiration in the grotesque typefaces of the late 19th century coupled with a typical Latin American playful sense that gives it a modern freshness.